Skip to main content

The Sherbs - I Have The Skill

Take early 80s Genesis, add a tad more new wave to the sauce, drop 'em in the middle of a crocodile infested continent and you've got The Sherbs -- another great example of a late 70s band with proggy tendencies transitioning into early 80s pop.



The herky-jerky rhythm and loving dose of synthesizers in this tune is what stands out to me. I love the little arpeggios the dude throws in on the synths. It's just a smidge more prog than your typical new wave hit of '81. "I Have The Skill" hit 61 on the U.S. pop charts. Did you ever hear it on your FM station back in the day? Me neither. Why not, dude?

Singer, Daryl Braithwaite, throws in some great middle school metaphors throughout the tune. My favorite is "I am the shoreline, you are a breaker." So Aussie! But, when he gets to the end of the verse, he casts aside figurative language and gets starkly realistic with the line, "All I can say is this life that we're living is a death defying thrill." Then the chorus, "I have the skill. I have the skill!" Braithwaite imagines himself as a cyborg, awkwardly learning to cope with the challenges of human life. He has the skill. Even when life is death defying, he knows that his skills will get him through. It's part of his programming. Part of his DNA as a rock & roller. He's got the skills, mate.

Comments

Post a Comment

Trending Tracks

U.K. - In The Dead of Night

In the late 70s, as punk and post-punk bands spiraled towards their new wave destinies, prog dinosaurs stood paralyzed in the shadows. Bands like the Sex Pistols were meteors, igniting a global firestorm that would trigger prog's extinction. The British music press (Melody Maker, Sounds, NME, etc.), once proponents of prog darlings Genesis, Yes and ELP, now bashed any band releasing songs in odd time signatures and singing about aliens and whales. The punk revolution had turned the U.K. music industry and press on its head within a year (1976-1977). For me, this is one of the most interesting times in pop music. Although prog groups saw their audiences rapidly dwindle (Yes audiences had dropped from 20,000 to 3,000 by 1980's Drama tour), many record labels had built fortunes on the works of prog artists and were willing to foot the bill for some interesting transitional experiments. Yes' Drama , ELPs' Works , Genesis' . ..And Then There Were Three... were p...
Post a Comment
Read more

Asia - Heat of the Moment (Live)

By the end of 1981, prog rock was in deep trouble. Punk rock's offspring had traded in guitars for synthesizers and learned to write catchy pop songs. Prog pioneers who had redefined rock and roll's sound throughout the 70s, with their bold use of Moog and ARP synthesizers (Rick Wakeman, Keith Emerson, etc.), now stood on the sidelines scratching their heads as Adam Ant lookalikes scored hits with their own brand of synthesized music. The new wave had arrived and proggers were beached. The only prog group that had managed to successfully make the jump to the 80s was Genesis. With Phil Collins out from behind the drums and singing love songs, the group scored hits with "Follow You, Follow Me," "Turn It On Again," and "Misunderstanding." Genesis wasn't new wave, but they had successfuly shed the odd time signatures and existential lyrics of the 70s and attracted a mainstream pop audience. But Genesis was just the beginning. Following the...
Post a Comment
Read more