Skip to main content

The Pretenders - Message of Love




The pep rally drum beat and angular guitars catch your ear right away on this tune. Chrissie Hynde's quasi-singing delivery is classic. The sound of The Pretenders on their first two albums is perfect. "Message of Love" wasn't played to death on FM and still sounds fresh to me. Hynde's message rings true:

"Now the reason we're here
As man and woman
Is to love each other
Take care of each other
When love walks in the room
Everybody stand up
Oh it's good, good, good
Like Brigitte Bardot"


Comments

Trending Tracks

Genesis - Supper's Ready

Clocking in at nearly 23 minutes, Supper's Ready was the first extended composition that Genesis attempted in the studio. It appeared on 1972's Foxtrot . With Steve Hackett's ornate and chiming guitars, Tony Banks classical sounding keys, Phil Collins' athletic drumming (hitting 9/8 in section VI) and, of course, Peter Gabriel's dramatic voice -- lifting from an ethereal hush to a fantastic shriek throughout, it's a prog-rock masterpiece. This was Genesis firing on all cylinders. They were in their formative stage as a band and in love with composing together. Ultimately, the tune would provide a perfect opportunity for Gabriel to develop costumes and portray a host of fanciful characters, including a giant daisy (pictured here). Lyrically, the song is expansive, dealing with themes of good and evil, particularly allusions to the Book of Revelations. Gabriel based the lyrics for the first section, Lover's Leap, on two otherworldly experiences. On one occ...

Yes - The Revealing Science of God (Dance of the Dawn)

Looking for cosmically lofty and conceptually dense ideas in 70s progressive rock?  One only needs to spend an evening with the 1973 album,  Tale from Topographic Oceans , by Yes. The experience is unique and... long. In it's time, the record was one of the most ambitious endeavors attempted. Four sides. Four songs. After their prior album,  Close to the Edge,  which featured their most extended compositions to date, Yes decided to go even further outside the realm of rock norms on Tales. The four, conceptually-linked songs were   massive, featuring an arsenal of complex movements and repeated musical motifs. This was as sonically expansive as Yes would ever get on record. Lyrically, Jon Anderson based his ideas on Paramahansa Yoganda's Autobiography of a Yogi . At the time, Anderson told New Musical Express, "We're close to the edge of spiritual awareness within the framework of the group, making music. We have this long song, which we felt could hold ...