Skip to main content

Sector 27 - Invitation: What Have We Got To Lose?

Tom Robinson was Sector 27. Or perhaps Sector 27 was Tom Robinson's band. Maybe Sector 27 was Tom Robinson's first album. It's unclear. The Internet people haven't come to a consensus on what should be an axiomatic concept and I've spent five minutes too long researching this shit.

What is clear? Steve Lillywhite produced the record in 1980. The guitars are angular and sharp like The Edge's, especially on this track. There's even this kind of Electric Co. phase distortion happening in the verses. Then there's the solo thing after the second chorus that is pure proto-Boy U2. By the way, this was released the same year as U2's debut. It shows just how influential Steve Lillywhite, the producer, might have been on the Irish band's sound. Another thing that stood out to me: Tom Robinson (born in 1950) was thirty when he recorded this. His voice lacks your typical new wave gloss. Instead, he's got this barking, nicotine stained, strep throaty holler ala Ian Dury.

During the chorus, Robinson invites us to take a walk on the wild side or something. "What have we got to lose if we try it on? None of them bastards notice when we're gone."

So, what have you got to lose? I'm not sure. It's not clear what all of this adds up to. Watch this video and, in the least, gain a deeper understand of how Steve Lillywhite shaped the sound of U.K. new wave.

Comments

Trending Tracks

Sweet - Love Is Like Oxygen

I've always loved glam rock -- Bowie , The New York Dolls , Mott The Hoople ,  Queen , T. Rex . The flamboyant and gender-bending style. The attitude, sparkly and swagger. The first time I heard Sweet was Fox On The Run . It was my favorite song on the Dazed and Confused Soundtrack. I think it was the swirling, bubbling synthesizer that drew me in. At the time I had no idea that Sweet was a part of the 1970s glam world. Later, I found out that they sang Ballroom Blitz . That's the same band? Then, in college, I bought Action and fell in love with tunes like Lady Starlight and the title track . As I pieced together their discography (in a pre-Internet age), I noticed that the band's sound inexplicably wavered between hard rock, glam and bubble-gum pop. I could never put my finger on what Sweet was all about. I just loved a lot of their songs. This week, I picked up a copy of their 1977 album, Level Headed . The album is anything but steady (as the title would have yo...

The Pretenders - Message of Love

The pep rally drum beat and angular guitars catch your ear right away on this tune. Chrissie Hynde's quasi-singing delivery is classic. The sound of The Pretenders on their first two albums is perfect. "Message of Love" wasn't played to death on FM and still sounds fresh to me. Hynde's message rings true: "Now the reason we're here As man and woman Is to love each other Take care of each other When love walks in the room Everybody stand up Oh it's good, good, good Like Brigitte Bardot"