Skip to main content

Chilliwack - My Girl (Gone, Gone, Gone)

Imagine if the Beach Boys grew up in Vancouver and had a love affair with Hall & Oates at a Pablo Cruise party in Malibu. That's what Chilliwack sounds like to me. This is their biggest single, My Girl. According to my friend, Aaron from Toronto, this is a "classic from (his) youth." I picture Canadian kids in the early 80s cruising around at malls, eating poutine and wearing Chilliwack shirts. I know this is a total fabrication of my non-existent memory that is mostly rooted in watching Rush's video for Subdivisions one too many times. C'mon, let me have my dream. Meanwhile, you get your dose of Chilliwack.


Are you hooked on Chilliwack? Go behind the scenes with them in this "decent" interview on American Bandstand. Why is Dick Clark giving Brian MacLeod such a hard time? Plus, the band records their albums on boats!!!!

Comments

Trending Tracks

Jules & the Polar Bears - Good Reason

Jules & The Polar Bears is one of those bands that you want to like, but continue to remain on the fence about even after a decade of failed listens. Recently, I've been sampling bands from the late 70s and early 80s who released fake new wave albums -- major label acts who played middle of the road rock, but disguised it in skinny ties, brightly colored sweaters and catchy, Cars-y keyboard riffs. Jules & The Polar Bears are a good example. Their first record, 1978's Got No Breeding, was compared to Dylan, The Kinks and Springsteen. Personally, I hear a quirky Jackson Browne in the songwriting. Everything sounds bearded and mid-tempo, except Jules Shear, the singer. He gives the band a distinct sound with his "singing at the top of my range" yelp. But even with Shears' interesting squelch, the songs never break out of 70s rock conformity. The guitarist's resemblance to a member of Orleans or Doobie Brothers is telling. Enter 1979's "Fenêt...

Belem & The Mekanics - Norvégien

Tonight, I offer you a sampling of progressive circus music for steam punks. Belem & The Mekanics is Didier Laloy (diatonic accordion), Kathy Adam (cello) and the composer Walter Hus. Laloy and Adam play along with Hus' 15-piece orchestra, composed of mechanized instruments (organs, accordions and percussion) that are controlled by a computer. The whole affair builds on the idea of the orchestrion, a machine that autonomously plays music to simulate an orchestra -- think player piano, but on a grand scale. Apparently, these were quite popular in Belgium and France throughout the early 1900s. I chose this song, Norvégien , for its dynamics and spotlight of the mechanical tick-tocking rhythm, which eventually builds into a drumbeat (played on the instruments by a computer). If you're interested in seeing behind the scenes and understanding the mechanics of their music, check this out: Here's a little extra homework assignment. Who else has performed...