I am going down an ultra odd time signature, prog rock hole right now. Like, fast! I know that in a week or two I will crave nothing more than some Nick Drake or Flying Burrito Brothers. For the moment, however, when I get a free moment to enjoy music, I've found myself digging into the obscure solo discography of Yes, Genesis and King Crimson members. Today, I discovered this song while listening to Spotify in my classroom on my prep period. I paused it and listened to the intro four times in a row. As the students entered the next period, I cued the tune. They looked at me like I was listening to extraterrestrial jazz. That's because I basically was.
Here is a cut from drummer, Bill Bruford's (Yes, Genesis, King Crimson, U.K.) second album, "One of A Kind." It's like Daft Punk meets George Duke at a Scientology dance party with members of Return To Forever.... only better! My research tells me (because I couldn't figure this stuff out with my own mortal abilities) that each phrase of the intro piece is 19 beats (eighth notes/quavers) composed of a bar of 7, a bar of 7, and a bar of 5. So that's technically 19/8 time. Wowee Zowee!
Sweetbottom - Angels of the Deep . I can provide a totally valid explanation for the existence of this record in my collection. You see, I'd been eyeing this peculiar 12" at my favorite little hole-in-the-wall record shop for about a month. It was in the $5 box. After a few weeks it finally landed in the $1 bin. For the album artwork alone, I thought, this is worth a buck. Four late-70s dudes clad in white, cotton shirts and pants, hairy chests and... white shag carpet. Sweetbottom indeed. Adding to the allure, the notes revealed that the album had been recorded at the Shade Tree Resort Studio in Lake Geneva, Wisconsin between 1977-78. Could this be like the Great Lakes version of Yacht Rock? Could I be holding some long-forgotten, Midwest soft rock obscurity? I was tempted to cheat and pull out my cellphone to Google them, but then I paused. This is $1 we're talking about. Let's take the risk and live dangerously. As I approached the register, I noted that the ...
I've always loved glam rock -- Bowie , The New York Dolls , Mott The Hoople , Queen , T. Rex . The flamboyant and gender-bending style. The attitude, sparkly and swagger. The first time I heard Sweet was Fox On The Run . It was my favorite song on the Dazed and Confused Soundtrack. I think it was the swirling, bubbling synthesizer that drew me in. At the time I had no idea that Sweet was a part of the 1970s glam world. Later, I found out that they sang Ballroom Blitz . That's the same band? Then, in college, I bought Action and fell in love with tunes like Lady Starlight and the title track . As I pieced together their discography (in a pre-Internet age), I noticed that the band's sound inexplicably wavered between hard rock, glam and bubble-gum pop. I could never put my finger on what Sweet was all about. I just loved a lot of their songs. This week, I picked up a copy of their 1977 album, Level Headed . The album is anything but steady (as the title would have yo...
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