I am going down an ultra odd time signature, prog rock hole right now. Like, fast! I know that in a week or two I will crave nothing more than some Nick Drake or Flying Burrito Brothers. For the moment, however, when I get a free moment to enjoy music, I've found myself digging into the obscure solo discography of Yes, Genesis and King Crimson members. Today, I discovered this song while listening to Spotify in my classroom on my prep period. I paused it and listened to the intro four times in a row. As the students entered the next period, I cued the tune. They looked at me like I was listening to extraterrestrial jazz. That's because I basically was.
Here is a cut from drummer, Bill Bruford's (Yes, Genesis, King Crimson, U.K.) second album, "One of A Kind." It's like Daft Punk meets George Duke at a Scientology dance party with members of Return To Forever.... only better! My research tells me (because I couldn't figure this stuff out with my own mortal abilities) that each phrase of the intro piece is 19 beats (eighth notes/quavers) composed of a bar of 7, a bar of 7, and a bar of 5. So that's technically 19/8 time. Wowee Zowee!
I've always loved glam rock -- Bowie , The New York Dolls , Mott The Hoople , Queen , T. Rex . The flamboyant and gender-bending style. The attitude, sparkly and swagger. The first time I heard Sweet was Fox On The Run . It was my favorite song on the Dazed and Confused Soundtrack. I think it was the swirling, bubbling synthesizer that drew me in. At the time I had no idea that Sweet was a part of the 1970s glam world. Later, I found out that they sang Ballroom Blitz . That's the same band? Then, in college, I bought Action and fell in love with tunes like Lady Starlight and the title track . As I pieced together their discography (in a pre-Internet age), I noticed that the band's sound inexplicably wavered between hard rock, glam and bubble-gum pop. I could never put my finger on what Sweet was all about. I just loved a lot of their songs. This week, I picked up a copy of their 1977 album, Level Headed . The album is anything but steady (as the title would have yo...
The pep rally drum beat and angular guitars catch your ear right away on this tune. Chrissie Hynde's quasi-singing delivery is classic. The sound of The Pretenders on their first two albums is perfect. "Message of Love" wasn't played to death on FM and still sounds fresh to me. Hynde's message rings true: "Now the reason we're here As man and woman Is to love each other Take care of each other When love walks in the room Everybody stand up Oh it's good, good, good Like Brigitte Bardot"
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