Skip to main content

Belem & The Mekanics - Norvégien

Tonight, I offer you a sampling of progressive circus music for steam punks.

Belem & The Mekanics is Didier Laloy (diatonic accordion), Kathy Adam (cello) and the composer Walter Hus. Laloy and Adam play along with Hus' 15-piece orchestra, composed of mechanized instruments (organs, accordions and percussion) that are controlled by a computer. The whole affair builds on the idea of the orchestrion, a machine that autonomously plays music to simulate an orchestra -- think player piano, but on a grand scale. Apparently, these were quite popular in Belgium and France throughout the early 1900s.

I chose this song, Norvégien, for its dynamics and spotlight of the mechanical tick-tocking rhythm, which eventually builds into a drumbeat (played on the instruments by a computer).



If you're interested in seeing behind the scenes and understanding the mechanics of their music, check this out:



Here's a little extra homework assignment. Who else has performed with an orchestrion?

Comments

Post a Comment

Trending Tracks

Big Star - The Ballad of El Goodo

Bold self-reliance. That's what Alex Chilton was channeling when he penned The Ballad of El Goodo.  It's one of those tunes that I try to include on any mixtape or CD that I ever make. Tonight, the melody emerged from the back of my mind as I was strumming my guitar. It moved me to find the chords and learn to play it. Striking the chords and whispering Alex Chilton's lyrics unleashed a powerful feeling inside -- like uttering some magical incantation. My spirits were immediately lifted. That's the power of rock & roll. True and simple. Big Star was a huge influence on many of my favorite groups: The Replacements, Wilco, The Posies and R.E.M. The Ballad of El Goodo has been covered by countless artists. Here are two of my favorite covers; Evan Dando's sublime version from the Empire Records Soundtrack (1995): Matthew Sweet's version from Big Star Small World (Tribute to Big Star).
Post a Comment
Read more

Jules & the Polar Bears - Good Reason

Jules & The Polar Bears is one of those bands that you want to like, but continue to remain on the fence about even after a decade of failed listens. Recently, I've been sampling bands from the late 70s and early 80s who released fake new wave albums -- major label acts who played middle of the road rock, but disguised it in skinny ties, brightly colored sweaters and catchy, Cars-y keyboard riffs. Jules & The Polar Bears are a good example. Their first record, 1978's Got No Breeding, was compared to Dylan, The Kinks and Springsteen. Personally, I hear a quirky Jackson Browne in the songwriting. Everything sounds bearded and mid-tempo, except Jules Shear, the singer. He gives the band a distinct sound with his "singing at the top of my range" yelp. But even with Shears' interesting squelch, the songs never break out of 70s rock conformity. The guitarist's resemblance to a member of Orleans or Doobie Brothers is telling. Enter 1979's "Fenêt...
Post a Comment
Read more