Skip to main content

The Records - Starry Eyes

The Records straddled that magical threshold between The Bay City Rollers and Cheap Trick -- sugary sweet vocal melodies, rocking guitars, skinny ties, modish haircuts and songs about girls, girls and... mostly girls.
How do you distinguish late 70s power pop from post-punk or early 80s new wave? The Records' 1979 hit "Starry Eyes" is a good place to start. The song bears characteristics of all three genres. By listening to the following three versions, you can literally hear the late 70s turning into the 80s.

See if you can hear it.

"Starry Eyes" - 1978 Demo

"Starry Eyes" - 1978 Single


"Starry Eyes" - 1979 U.K. album version (produced by Mutt Lange)

Comments

Post a Comment

Trending Tracks

Sweet - Love Is Like Oxygen

I've always loved glam rock -- Bowie , The New York Dolls , Mott The Hoople ,  Queen , T. Rex . The flamboyant and gender-bending style. The attitude, sparkly and swagger. The first time I heard Sweet was Fox On The Run . It was my favorite song on the Dazed and Confused Soundtrack. I think it was the swirling, bubbling synthesizer that drew me in. At the time I had no idea that Sweet was a part of the 1970s glam world. Later, I found out that they sang Ballroom Blitz . That's the same band? Then, in college, I bought Action and fell in love with tunes like Lady Starlight and the title track . As I pieced together their discography (in a pre-Internet age), I noticed that the band's sound inexplicably wavered between hard rock, glam and bubble-gum pop. I could never put my finger on what Sweet was all about. I just loved a lot of their songs. This week, I picked up a copy of their 1977 album, Level Headed . The album is anything but steady (as the title would have yo...
Post a Comment
Read more

Genesis - Supper's Ready

Clocking in at nearly 23 minutes, Supper's Ready was the first extended composition that Genesis attempted in the studio. It appeared on 1972's Foxtrot . With Steve Hackett's ornate and chiming guitars, Tony Banks classical sounding keys, Phil Collins' athletic drumming (hitting 9/8 in section VI) and, of course, Peter Gabriel's dramatic voice -- lifting from an ethereal hush to a fantastic shriek throughout, it's a prog-rock masterpiece. This was Genesis firing on all cylinders. They were in their formative stage as a band and in love with composing together. Ultimately, the tune would provide a perfect opportunity for Gabriel to develop costumes and portray a host of fanciful characters, including a giant daisy (pictured here). Lyrically, the song is expansive, dealing with themes of good and evil, particularly allusions to the Book of Revelations. Gabriel based the lyrics for the first section, Lover's Leap, on two otherworldly experiences. On one occ...
Post a Comment
Read more