Skip to main content

Nicolá Cruz - Rio Branco

Nicola Cruz was born in Limoges, France. His parents are from Ecuador. He uses electronic music as a means of exploring and reconnecting with his family's culture.

I've heard hundreds of attempts to marry electronic music with South American styles. None of it ever quite resonated with me. However, Cruz takes it to a different place. This is not your run of the mill Andean flute and techno beats. None of it sounds tacky or lacking respect for the source material. He samples and mutates the sounds of the Andes and Amazon without losing their soul. It's all there, intact, but presented abstractly. There's a depth here that is worth listening for intently.

Comments

Trending Tracks

Joy Division - Ice Age

It's January 2nd. The temperature in Maine hovers between 10º and -10º F. We will be hit by a bombogenesis (weather bomb) on Thursday and Friday which will drop close to a foot of snow, followed by temperatures that could plunge 20 below. Meanwhile, the U.S. President has just responded to North Korea's most overt nuclear threat to date with a response akin to a mentally deranged joke -- the most unstatesmanlike exchange in U.S. history. Seems like the perfect moment to revisit  Joy Division's Ice Age : Ice Age was recorded in 1979, but unreleased until its appearance on the 1981 posthumous album, Still . The song is a great example of the bands early sound, driven by a frenzied post-punk beat and distorted guitars. Many listeners debate the meaning of Ice Age . Some argue that the song is a literal expression of Ian Curtis' Cold War anxiety. Others perceive it as a song about feeling disconnection (the disintegration of a relationship). It's not hard to ...

U.K. - In The Dead of Night

In the late 70s, as punk and post-punk bands spiraled towards their new wave destinies, prog dinosaurs stood paralyzed in the shadows. Bands like the Sex Pistols were meteors, igniting a global firestorm that would trigger prog's extinction. The British music press (Melody Maker, Sounds, NME, etc.), once proponents of prog darlings Genesis, Yes and ELP, now bashed any band releasing songs in odd time signatures and singing about aliens and whales. The punk revolution had turned the U.K. music industry and press on its head within a year (1976-1977). For me, this is one of the most interesting times in pop music. Although prog groups saw their audiences rapidly dwindle (Yes audiences had dropped from 20,000 to 3,000 by 1980's Drama tour), many record labels had built fortunes on the works of prog artists and were willing to foot the bill for some interesting transitional experiments. Yes' Drama , ELPs' Works , Genesis' . ..And Then There Were Three... were p...