Skip to main content

Nicolá Cruz - Rio Branco

Nicola Cruz was born in Limoges, France. His parents are from Ecuador. He uses electronic music as a means of exploring and reconnecting with his family's culture.

I've heard hundreds of attempts to marry electronic music with South American styles. None of it ever quite resonated with me. However, Cruz takes it to a different place. This is not your run of the mill Andean flute and techno beats. None of it sounds tacky or lacking respect for the source material. He samples and mutates the sounds of the Andes and Amazon without losing their soul. It's all there, intact, but presented abstractly. There's a depth here that is worth listening for intently.

Comments

Trending Tracks

The Darkness - Christmas Time (Don't Let The Bells End)

Released in 2003, by the over the top, glam metal resurrection act, The Darkness , Christmas Time (Don't Let The Bells End) has been one of my favorite holiday tunes for close to a decade. The royal timbre of the electric guitars and falsetto of Justin Hawkins are undeniably Queen-like. And what Christmas classic is not complete without sleigh bells and a children choir? I can't think of another modern Christmas tune that packs so much melody and action into three and a half minutes. The tune became such a part of my holiday tradition that I finally had to throw down the cash to the buy the import CD single (it was never released domestically). The b-side, I Love You 5 Times, while entertaining is definitely overshadowed by the bombastic grandeur of the lead track. I hope this one finds its way into your holiday playlist, if it isn't there already.

R.E.M. - Begin the Begin

Let's start 2018 with a bang. R.E.M. 's Begin the Begin , a musical manifesto for personal activism, is a great place to start this year sonically. This was the lead song from 1986's Life's Rich Pageant and the first time that listeners could really discern Michael Stipe 's lyrics. His eccentric mumble emerged from its abstract cocoon and transformed into something more pronounced, confident and explosive. Along with Stipe' s strengthened howl, the band's music took on a more muscular tone. Bill Berry 's drums rocked harder and Peter Buck cranked up the distortion. The album was the first time that R.E.M. addressed political and environmental issues lyrically ( Fall On Me, Flowers of Guatemala, Cuyahoga ). Begin the Begin doesn't try to plant the seeds for a bloody revolution or take sides politically. Even Stipe recognizes his own inability to articulate solutions: "Answer me a question, i can't itemize I can't think...