Skip to main content

The Posies - Definite Door

Definite Door is the Posies' final single from 1994's Frosting On The Beater. With it's psychedelic and fatalistic lyrics, matched with sugary sweet grunge guitars, the song stirs up a mix of somber, yet mystical bliss. It is the pinnacle of power-pop meets grunge.

The Posies, like Nirvana were part of the 90s Seattle music scene. Since Kurt Cobain died on April 8, 1994 and Definite Door was released shortly after (April 27), we can rule out the idea that the band was directly addressing Cobain's suicide. Music journalists at the time perceived the song as a statement of psychedelic escapism. Still, with lyrics like

"Say goodbye to your friends and family
Pack your promises silently
Funny how they forget to tell you
This is all you will ever be"

it's easy to interpret the song as a commentary on suicide's power to eclipse all of our memories of one's lifetime. Ultimately, there is no literal meaning provided for this tune. We are left to piece it together for ourselves.  

Comments

Trending Tracks

The Alarm - Marching On (Live)

Never underestimate the power of corporeal politics. Today, hundreds of thousands of people marched through the streets of American cities demanding political action on gun control. In downtown Portland, ME thousands streamed down Congress St. and gathered at City Hall. I was there. It was powerful. When you are united with others in your community, marching, there is an energy -- a sense of unstoppable momentum. It is also reassuring. We are not alone in standing up to the insanity. We are one. I am inspired by the Americans (especially the women and young people) who have once again discovered the power of peaceful, non-violent protest. If we continue to march in these numbers, politicians will hear us. The continuing volume of our chants and rhythm of our marching feet, knocking at their door, will remind them to legislate on behalf of us -- the people. All of the money in the world can't pay back the moral deficit and heal the wounded conscience of NRA-backed legislators...

Jules & the Polar Bears - Good Reason

Jules & The Polar Bears is one of those bands that you want to like, but continue to remain on the fence about even after a decade of failed listens. Recently, I've been sampling bands from the late 70s and early 80s who released fake new wave albums -- major label acts who played middle of the road rock, but disguised it in skinny ties, brightly colored sweaters and catchy, Cars-y keyboard riffs. Jules & The Polar Bears are a good example. Their first record, 1978's Got No Breeding, was compared to Dylan, The Kinks and Springsteen. Personally, I hear a quirky Jackson Browne in the songwriting. Everything sounds bearded and mid-tempo, except Jules Shear, the singer. He gives the band a distinct sound with his "singing at the top of my range" yelp. But even with Shears' interesting squelch, the songs never break out of 70s rock conformity. The guitarist's resemblance to a member of Orleans or Doobie Brothers is telling. Enter 1979's "Fenêt...