Skip to main content

Tori Amos - Benjamin

Many years have passed since my high school obsession with Tori Amos' Little Earth Quakes and Under the Pink. A few times over the last decades I have occasionally sampled her new releases, but nothing resonated.

Her new album, Native Invader, has pulled me back in. It's rich songs are lyrically compelling, harmonious and based around great drum beats (something I loved in her earlier work). Released in September, it is both timely and timeless. The album weaves environmental, spiritual, indigenous  a and political themes into a dizzying sonic tapestry. There is also an ethereal, pagan vibe coming through many of the lyrics (in my opinion).

The song I want to spotlight is Benjamin. At this point, no one has written a more powerful call to action for protecting the environment agains the onslaught of Trump and his cronies.

"campaigns
funded by
the fossil fuel industry
how many of us
will they own
to give them global mastery

sucking hydrocarbon from the ground
those pimps in Washington
are selling the rape of America
as they attack Juliana"



Here are some insightful quotes from Tori Amos on the topic of the song (taken from Toriphoria):

"I think there is a lot of distraction right now, while things are happening. It shocks me that people are talking about... the erosion that's happening at the Environmental Protection Agency: protecting whom? Protecting what -- the American oligarchs? That's the shocker for me -- what's going on in the courts, Juliana vs United States [a case which inspired the track "Benjamin"], the Water Protectors for Lakota nation -- those things that we only hear snippets about now. The distractions are there. And, look, I know that people in New York are consumed with yet another tweet and, if you're a political journalist, that's fine. You have to be on the front line, you've got to know what's going on, that's your gig. But if your gig is something else and you're not doing that gig because you're being diverted, then you've taken yourself away -- you're not seeing things, you're just a consumer." [The 405 - September 5, 2017] 

"Benjamin" is about the fact that agencies such as the EPA, that's the Environmental Protection Agency and the US Department of the Environment are supposed to be protecting the natural world but really what's happening is that they are protecting the big oil, energy and sugars companies who have no hesitation about destroying the world. There are people out there, who I call the Benjamins, although they can be male or female, who are trying to show us what is really happening. There are things happening in America behind the scenes that mean we are losing protection for basic things like clean air and water. And really whatever political aisle you align yourself to, or don't, surely we should all be fighting for and entitled to those things, it's very basic." [Boyz - September 13, 2017] 

Comments

Trending Tracks

Big Star - The Ballad of El Goodo

Bold self-reliance. That's what Alex Chilton was channeling when he penned The Ballad of El Goodo.  It's one of those tunes that I try to include on any mixtape or CD that I ever make. Tonight, the melody emerged from the back of my mind as I was strumming my guitar. It moved me to find the chords and learn to play it. Striking the chords and whispering Alex Chilton's lyrics unleashed a powerful feeling inside -- like uttering some magical incantation. My spirits were immediately lifted. That's the power of rock & roll. True and simple. Big Star was a huge influence on many of my favorite groups: The Replacements, Wilco, The Posies and R.E.M. The Ballad of El Goodo has been covered by countless artists. Here are two of my favorite covers; Evan Dando's sublime version from the Empire Records Soundtrack (1995): Matthew Sweet's version from Big Star Small World (Tribute to Big Star).

U.K. - In The Dead of Night

In the late 70s, as punk and post-punk bands spiraled towards their new wave destinies, prog dinosaurs stood paralyzed in the shadows. Bands like the Sex Pistols were meteors, igniting a global firestorm that would trigger prog's extinction. The British music press (Melody Maker, Sounds, NME, etc.), once proponents of prog darlings Genesis, Yes and ELP, now bashed any band releasing songs in odd time signatures and singing about aliens and whales. The punk revolution had turned the U.K. music industry and press on its head within a year (1976-1977). For me, this is one of the most interesting times in pop music. Although prog groups saw their audiences rapidly dwindle (Yes audiences had dropped from 20,000 to 3,000 by 1980's Drama tour), many record labels had built fortunes on the works of prog artists and were willing to foot the bill for some interesting transitional experiments. Yes' Drama , ELPs' Works , Genesis' . ..And Then There Were Three... were p...