Tonight, I offer you a sampling of progressive circus music for steam punks.
Belem & The Mekanics is Didier Laloy (diatonic accordion), Kathy Adam (cello) and the composer Walter Hus. Laloy and Adam play along with Hus' 15-piece orchestra, composed of mechanized instruments (organs, accordions and percussion) that are controlled by a computer. The whole affair builds on the idea of the orchestrion, a machine that autonomously plays music to simulate an orchestra -- think player piano, but on a grand scale. Apparently, these were quite popular in Belgium and France throughout the early 1900s.
If you're interested in seeing behind the scenes and understanding the mechanics of their music, check this out:
Here's a little extra homework assignment. Who else has performed with an orchestrion?
Belem & The Mekanics is Didier Laloy (diatonic accordion), Kathy Adam (cello) and the composer Walter Hus. Laloy and Adam play along with Hus' 15-piece orchestra, composed of mechanized instruments (organs, accordions and percussion) that are controlled by a computer. The whole affair builds on the idea of the orchestrion, a machine that autonomously plays music to simulate an orchestra -- think player piano, but on a grand scale. Apparently, these were quite popular in Belgium and France throughout the early 1900s.
I chose this song, Norvégien, for its dynamics and spotlight of the mechanical tick-tocking rhythm, which eventually builds into a drumbeat (played on the instruments by a computer).
If you're interested in seeing behind the scenes and understanding the mechanics of their music, check this out:
Here's a little extra homework assignment. Who else has performed with an orchestrion?
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