Skip to main content

Strawbs - Hero and Heroine

The Strawbs were an English group that dabbled in tasty genres like folk, progressive and glam rock. They are a band that I want... No! I need to dig into more.

Rick Wakeman played with them before departing for Yes in 1970. Not nearly as technical as other prog bands, The Strawbs incorporated the softer sounds of fantasy and psychedelic pop. Melody was at the forefront of their songs, unlike groups like King Crimson or ELP who were more invested in musical gymnastics. At times, vocalist David Cousins can sound like early Peter Gabriel, which I like.

There is nothing quite like the punch of mellotron combined with bombastic drums and wizard-like vocals. And that's what The Strawbs' "Hero and Heroine" delivers! Are you game for adventure? Suspend your scabbard from your baldric and bring along a flagon of wine. Here is the map for your journey. Click play and take the first step of your quest.



Comments

Trending Tracks

U.K. - In The Dead of Night

In the late 70s, as punk and post-punk bands spiraled towards their new wave destinies, prog dinosaurs stood paralyzed in the shadows. Bands like the Sex Pistols were meteors, igniting a global firestorm that would trigger prog's extinction. The British music press (Melody Maker, Sounds, NME, etc.), once proponents of prog darlings Genesis, Yes and ELP, now bashed any band releasing songs in odd time signatures and singing about aliens and whales. The punk revolution had turned the U.K. music industry and press on its head within a year (1976-1977). For me, this is one of the most interesting times in pop music. Although prog groups saw their audiences rapidly dwindle (Yes audiences had dropped from 20,000 to 3,000 by 1980's Drama tour), many record labels had built fortunes on the works of prog artists and were willing to foot the bill for some interesting transitional experiments. Yes' Drama , ELPs' Works , Genesis' . ..And Then There Were Three... were p...

Genesis - Supper's Ready

Clocking in at nearly 23 minutes, Supper's Ready was the first extended composition that Genesis attempted in the studio. It appeared on 1972's Foxtrot . With Steve Hackett's ornate and chiming guitars, Tony Banks classical sounding keys, Phil Collins' athletic drumming (hitting 9/8 in section VI) and, of course, Peter Gabriel's dramatic voice -- lifting from an ethereal hush to a fantastic shriek throughout, it's a prog-rock masterpiece. This was Genesis firing on all cylinders. They were in their formative stage as a band and in love with composing together. Ultimately, the tune would provide a perfect opportunity for Gabriel to develop costumes and portray a host of fanciful characters, including a giant daisy (pictured here). Lyrically, the song is expansive, dealing with themes of good and evil, particularly allusions to the Book of Revelations. Gabriel based the lyrics for the first section, Lover's Leap, on two otherworldly experiences. On one occ...