I've always loved glam rock -- Bowie, The New York Dolls, Mott The Hoople, Queen, T. Rex. The flamboyant and gender-bending style. The attitude, sparkly and swagger. The first time I heard Sweet was Fox On The Run. It was my favorite song on the Dazed and Confused Soundtrack. I think it was the swirling, bubbling synthesizer that drew me in. At the time I had no idea that Sweet was a part of the 1970s glam world. Later, I found out that they sang Ballroom Blitz. That's the same band? Then, in college, I bought Action and fell in love with tunes like Lady Starlight and the title track. As I pieced together their discography (in a pre-Internet age), I noticed that the band's sound inexplicably wavered between hard rock, glam and bubble-gum pop. I could never put my finger on what Sweet was all about. I just loved a lot of their songs.
This week, I picked up a copy of their 1977 album, Level Headed. The album is anything but steady (as the title would have you believe). Each song seems to be a world of its own: hard rock a la Cheap Trick, Bolanesque acoustic numbers and then... disco. Capitol Records' A&R folks must have been shaking their heads when it came to this LP.
In the end, the unsteady and unpredictable nature of the album is what I love. But, it is the final song on side A that I absolutely love: Love Is Like Oxygen. This song is a perfect statement about major label rock & roll at the close of the 70s. It was confused, sometimes desperate and experimenting with its own identity as a means of survival, often unsuccessfully. It is the glorious, final pop hit of a band in the midst of an identity crisis. It scored a top ten hit in several countries, including Finland! Love Is Like Oxygen is as perfect a swan song as you're ever gonna hear.
Winter comes and I think of bands, hunkered down in basements, turning up their amps to survive the bleak weather. As I stroll through the idyllic neighborhoods of my town, I sometimes wonder if the next wave of punk rebellion might be brewing beneath the restless facade of raised ranches and capes. Perhaps this is just the anachronistic dream of a music lover on the verge of a mid-life crisis. Hopefully not. During the early 80s, Minneapolis (a somewhat sleepy town) was home to a thriving underground rock scene that gave birth to acts like The Replacements, The Suburbs, Soul Asylum and a band that named themselves after a board game, Hüsker Dü. Hüsker Dü has always been the least accessible to me. Their sound was edgier and songs tended to be faster and forelorn. Lately, I've really fallen in love with the group's uncompromisingly original approach to music. Their songs endure in a way that some other bands from this era haven't. Tonight's sonic selection is the...
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