Skip to main content

Suzi Quatro - Can The Can

Suzi Quatro was the first female bass player/vocalist to experience major success as a rocker. Originally from Detroit, she moved to Britain in 1971 at the urging of producer, Mickie Most. She put together a band of motley rockers, resembling the Stooges or MC5. On the road with Slade and Thin Lizzy, Quatro's group developed a rough and tumble, adrenalized rock and roll style that laid the groundwork for later female, rebel-rocker acts. The Runaways, Girlschool and eventually The Donnas were all touched by Quatro's persona and sound. Throughout the early 70s, Quatro was huge in the U.K. and Australia. Unfortunately, fame eluded her in the States. It wasn't until she landed a repeated cameo as the tough-talking Leather Tuscadero on Happy Days in 1977 that she became a household name.

"Can The Can" is the second single, from her 1973 debut, Suzi Quatro. This song is so rock & roll, it's ridiculous. The Brady Bunch clones around the stage are like, We better clap and stomp or she's gonna beat us up!


What does the song's title mean? Songwriter Nicky Chinn explained that "can the can" is "... something that is pretty impossible, you can't get one can inside another if they are the same size, so we're saying you can't put your man in the can if he is out there and not willing to commit."

Comments

Trending Tracks

Väsen - Björkbergspolskan

The deep freeze of winter has settled in. This morning, I poured a cup of coffee and took in the sight of the sun's lazy ascent through the surrounding woods. The temperature outside read -4º Fahrenheit. Bone chilling and stunningly gorgeous. I sat in silence. Eventually I began to brainstorm music to accompany the scene. As we venture into late December, the sounds of Celtic and Nordic folk music tend to make their way into my daily mix. Wintry landscapes go especially well with Sweden's Väsen, a folk trio that prominently features the nyckelharpa. This song, Björkbergspolskan, highlights the instrument's power. Like a cross between the hurdy gurdy and a fiddle, it creates an ancestral tone that stirs the Viking in my blood. This one's for you Great, Great, Great Grandmother Wiklund. Nyckelharpa

Badfinger - No Matter What

Power pop bands could be ugly, short or totally forgettable. But, they always had good hair. It was an unspoken prerequisite for the genre - as much as the chiming guitars, harmonies and poppy lyrics. Simply put, I love Badfinger's hair. I picked up their greatest hits for a buck at my local thrift store last summer on the basis of the band's hairstyles. 23 songs. I was like, "O.k. I'm gonna become a massive Badfinger fan, dammit!" In the end, it came down to three for me: "Come and Get It", "Day After Day" and "No Matter What." These are as good as any pop songs ever written. "Without You," later made famous by Harry Nilsson ain't too shabby, neither. Badfinger were the first band signed to the Beatles' Apple Records in 1968. "No Matter What," released in 1970, reached number 8 in the U.S. and number five in the U.K. It was originally rejected as a single by the label. What were they thinking? The tune...