Skip to main content

Suzi Quatro - Can The Can

Suzi Quatro was the first female bass player/vocalist to experience major success as a rocker. Originally from Detroit, she moved to Britain in 1971 at the urging of producer, Mickie Most. She put together a band of motley rockers, resembling the Stooges or MC5. On the road with Slade and Thin Lizzy, Quatro's group developed a rough and tumble, adrenalized rock and roll style that laid the groundwork for later female, rebel-rocker acts. The Runaways, Girlschool and eventually The Donnas were all touched by Quatro's persona and sound. Throughout the early 70s, Quatro was huge in the U.K. and Australia. Unfortunately, fame eluded her in the States. It wasn't until she landed a repeated cameo as the tough-talking Leather Tuscadero on Happy Days in 1977 that she became a household name.

"Can The Can" is the second single, from her 1973 debut, Suzi Quatro. This song is so rock & roll, it's ridiculous. The Brady Bunch clones around the stage are like, We better clap and stomp or she's gonna beat us up!


What does the song's title mean? Songwriter Nicky Chinn explained that "can the can" is "... something that is pretty impossible, you can't get one can inside another if they are the same size, so we're saying you can't put your man in the can if he is out there and not willing to commit."

Comments

Trending Tracks

Asia - Heat of the Moment (Live)

By the end of 1981, prog rock was in deep trouble. Punk rock's offspring had traded in guitars for synthesizers and learned to write catchy pop songs. Prog pioneers who had redefined rock and roll's sound throughout the 70s, with their bold use of Moog and ARP synthesizers (Rick Wakeman, Keith Emerson, etc.), now stood on the sidelines scratching their heads as Adam Ant lookalikes scored hits with their own brand of synthesized music. The new wave had arrived and proggers were beached. The only prog group that had managed to successfully make the jump to the 80s was Genesis. With Phil Collins out from behind the drums and singing love songs, the group scored hits with "Follow You, Follow Me," "Turn It On Again," and "Misunderstanding." Genesis wasn't new wave, but they had successfuly shed the odd time signatures and existential lyrics of the 70s and attracted a mainstream pop audience. But Genesis was just the beginning. Following the...

Jonathan Richman - I Was Dancing In A Lesbian Bar

Jonathan Richman 's I Was Dancing In A Lesbian Bar  reminds me of last night. Yesterday was my birthday. In typical fashion, after my responsibilities as husband and father were lovingly fulfilled and the sun had set on the quiet suburbs of Portland, I drove straight into the city for some karaoke. Throughout the evening I sang three songs and danced harder than I have in years. In Richman's song, the protagonist finds himself feeling like an outsider at a night club. The clientele is too cool to dance and less than welcoming. Soon he is invited to go dancing in a new spot by some kind strangers. They lead him to a lesbian bar that is the polar opposite of the first club. Everybody's dancing and having a good time. Richman has found a place of belonging in the most unlikely setting. That's how I felt at the karaoke club last night. I've been in literally hundreds of karaoke bars in a handful of countries. As a first-timer, singers can be met with indifference,...