Skip to main content

Slade - Merry Christmas Everybody


  

Christmas Day is gone. Still the holiday mood lingers. This is my third and final inclusion of a holiday song on the mixtape.

Slade's Merry Christmas Everybody was their biggest hit, selling over a million copies upon its release in 1973 and scored them a #1 hit in the U.K. You might know Slade from their tunes Mama Weer All Crazee Now and Cum On Feel The Noize. The latter was a hit for the hair metal band, Quiet Riot on 1983's Metal Health (which happened to be the first cassette I ever purchased).

I first heard Merry Christmas Everybody at a gig in San Francisco. My band was sharing a bill with a group name Petrol. The two brothers in the band were from the U.K. and they covered this Slade holiday classic year-round. In fact, they closed every show with this stomping anthem. I thought it was cool that they were playing a Christmas song in late August. In fact, I thought they wrote it. Later, the singer, Graham Shaw, revealed that it was Slade.

Petrol were a late 90s group who never developed a Web presence. To this day, all I can find is a scant entry for one of their albums on Discogs.

If you know Graham or his brother Michael, tell them I said thanks for introducing me to Slade and this fine Christmas anthem!

Comments

Post a Comment

Trending Tracks

Girlschool - C'mon Let's Go

Girlschool, where have you been my whole life? I love this band's sound. "C'mon Let's Go" is rock & roll perfection. The palm-muted guitar scraping matched with pounding tom-tom drums is punk rock perfection! Girlschool inhabited that creatively blurry zone between punk, hard rock and metal. They were closely associated with Motörhead and the new wave of British metal in the early 80s. They are the longest running all-female rock band, going on 35+ years. "C'mon Let's Go" appeared on their second album, Hit and Run (1981). The album reached #5 on the U.K. albums chart, but never got a proper release in the U.S. Goes well with early Ramones!
Post a Comment
Read more

Jules & the Polar Bears - Good Reason

Jules & The Polar Bears is one of those bands that you want to like, but continue to remain on the fence about even after a decade of failed listens. Recently, I've been sampling bands from the late 70s and early 80s who released fake new wave albums -- major label acts who played middle of the road rock, but disguised it in skinny ties, brightly colored sweaters and catchy, Cars-y keyboard riffs. Jules & The Polar Bears are a good example. Their first record, 1978's Got No Breeding, was compared to Dylan, The Kinks and Springsteen. Personally, I hear a quirky Jackson Browne in the songwriting. Everything sounds bearded and mid-tempo, except Jules Shear, the singer. He gives the band a distinct sound with his "singing at the top of my range" yelp. But even with Shears' interesting squelch, the songs never break out of 70s rock conformity. The guitarist's resemblance to a member of Orleans or Doobie Brothers is telling. Enter 1979's "Fenêt...
Post a Comment
Read more