Skip to main content

The Posies - Definite Door

Definite Door is the Posies' final single from 1994's Frosting On The Beater. With it's psychedelic and fatalistic lyrics, matched with sugary sweet grunge guitars, the song stirs up a mix of somber, yet mystical bliss. It is the pinnacle of power-pop meets grunge.

The Posies, like Nirvana were part of the 90s Seattle music scene. Since Kurt Cobain died on April 8, 1994 and Definite Door was released shortly after (April 27), we can rule out the idea that the band was directly addressing Cobain's suicide. Music journalists at the time perceived the song as a statement of psychedelic escapism. Still, with lyrics like

"Say goodbye to your friends and family
Pack your promises silently
Funny how they forget to tell you
This is all you will ever be"

it's easy to interpret the song as a commentary on suicide's power to eclipse all of our memories of one's lifetime. Ultimately, there is no literal meaning provided for this tune. We are left to piece it together for ourselves.  

Comments

Trending Tracks

Patti Smith - My Generation (Live)

It's National Women's History Month. If Suzi Quatro was the queen of rock & roll, then Patti Smith was the leader of the female punk insurgency that redefined the genre. The 30th anniversary addition of Horses includes a bonus disc of the album recorded live in 2005 with Tom Verlaine (Television) on guitar and Flea on bass and trumpet. Tucked at the end of the disc is a sublime, nearly seven minute rendition of The Who's "My Generation." Whereas Roger Daltrey's version looked towards the possibilities of the future, Smith's looks back, exuding regret and anger. "My generation. We had dreams... We had dreams, man! And we fucking created George Bush! New generations! Rise up! Rise up! Take to the streets! Make change! The world is yours! Change it! Change it!" Black Lives Matter. Women's March. #MeToo. #Enough. #NeverAgain. This one's for the people in the streets! Change will come.

U.K. - In The Dead of Night

In the late 70s, as punk and post-punk bands spiraled towards their new wave destinies, prog dinosaurs stood paralyzed in the shadows. Bands like the Sex Pistols were meteors, igniting a global firestorm that would trigger prog's extinction. The British music press (Melody Maker, Sounds, NME, etc.), once proponents of prog darlings Genesis, Yes and ELP, now bashed any band releasing songs in odd time signatures and singing about aliens and whales. The punk revolution had turned the U.K. music industry and press on its head within a year (1976-1977). For me, this is one of the most interesting times in pop music. Although prog groups saw their audiences rapidly dwindle (Yes audiences had dropped from 20,000 to 3,000 by 1980's Drama tour), many record labels had built fortunes on the works of prog artists and were willing to foot the bill for some interesting transitional experiments. Yes' Drama , ELPs' Works , Genesis' . ..And Then There Were Three... were p...