Skip to main content

The Ramones - Merry Christmas (I Don't Want To Fight Tonight)


Around my house you might find my kids humming this tune as if it were a classic song like Blue Christmas or Silent Night. To them, The Ramones are great Christmas singers; right up there with Bing Crosby and Brenda Lee.

 Merry Christmas (I Don't Want To Fight Tonight) first appeared as a b-side to I Wanna Live in 1987.  The single failed to chart in the U.S. and U.K. However, the Ramones released Merry Christmas again in 1989 as the third single from The Ramones' Brain Drain. This would be the final record to feature Dee Dee. The video, depicting a holiday meltdown with people speaking in an authentic Long Island vernacular (maybe?), features Dee Dee's replacement, C.J. on bass.

Here's to a non-violent, peaceful and perhaps humorous holiday!



Further Listening: This year, Steven Van Zandt released a cover of the song with a 15 piece band and a new third verse. Check it out:
https://www.rollingstone.com/music/news/see-steven-van-zandts-video-for-ramones-merry-christmas-w514553

Comments

Post a Comment

Trending Tracks

Sweet - Love Is Like Oxygen

I've always loved glam rock -- Bowie , The New York Dolls , Mott The Hoople ,  Queen , T. Rex . The flamboyant and gender-bending style. The attitude, sparkly and swagger. The first time I heard Sweet was Fox On The Run . It was my favorite song on the Dazed and Confused Soundtrack. I think it was the swirling, bubbling synthesizer that drew me in. At the time I had no idea that Sweet was a part of the 1970s glam world. Later, I found out that they sang Ballroom Blitz . That's the same band? Then, in college, I bought Action and fell in love with tunes like Lady Starlight and the title track . As I pieced together their discography (in a pre-Internet age), I noticed that the band's sound inexplicably wavered between hard rock, glam and bubble-gum pop. I could never put my finger on what Sweet was all about. I just loved a lot of their songs. This week, I picked up a copy of their 1977 album, Level Headed . The album is anything but steady (as the title would have yo...
Post a Comment
Read more

U.K. - In The Dead of Night

In the late 70s, as punk and post-punk bands spiraled towards their new wave destinies, prog dinosaurs stood paralyzed in the shadows. Bands like the Sex Pistols were meteors, igniting a global firestorm that would trigger prog's extinction. The British music press (Melody Maker, Sounds, NME, etc.), once proponents of prog darlings Genesis, Yes and ELP, now bashed any band releasing songs in odd time signatures and singing about aliens and whales. The punk revolution had turned the U.K. music industry and press on its head within a year (1976-1977). For me, this is one of the most interesting times in pop music. Although prog groups saw their audiences rapidly dwindle (Yes audiences had dropped from 20,000 to 3,000 by 1980's Drama tour), many record labels had built fortunes on the works of prog artists and were willing to foot the bill for some interesting transitional experiments. Yes' Drama , ELPs' Works , Genesis' . ..And Then There Were Three... were p...
Post a Comment
Read more