Skip to main content

The Wild Swans - The Worst Year Of My Life

Here's the perfect song to commemorate the approaching conclusion of 2017.

"You were born hungry
And you'll die angry
And if life has failed you
Leave the cross you're nailed to
You belong to no one
And you owe nothing
There's no golden future
Just an open wound there
Oh lord, this is the worst year of my life"



Paul Simpson's despondent baritone can almost pass for Morrissey's throughout much of The Wild Swans' 1988 album, Bringing Home the Ashes. Fans of The Smiths and fellow Liverpudlians, Echo and the Bunnymen, will hear aspects of both groups in the shimmering alt-pop of the Swans. In fact, Pete De Freitas (Echo & the Bunnymen drummer) produced the album's first single, Young Manhood. Like The Mighty Lemon Drops and The Teardrop Explodes (whom Simpson left in 1980), The Wild Swans were a second-tier British indie pop group that never quite broke through in the States. The band was featured on two widely distributed Sire Records compilations at the end of the 80s, which is where I first heard them. Over the years Simpson has dismissed their 1988 major label debut:

"Major label thinking is like a virus, you forget why you started the band and fall into the 'hit' record mind-set... Major labels suck the poetry from your bones and fill the gaps with a cement made from cocaine and crushed teenagers."

Despite the cocaine and crushed teenagers, I really like this record. Give it a listen as you wrap-up one of the worst years in contemporary American history and anxiously await the foreboding arrival of 2018.

The Wild Swans - Bringing Home The Ashes (1988)

Comments

Trending Tracks

Patti Smith - My Generation (Live)

It's National Women's History Month. If Suzi Quatro was the queen of rock & roll, then Patti Smith was the leader of the female punk insurgency that redefined the genre. The 30th anniversary addition of Horses includes a bonus disc of the album recorded live in 2005 with Tom Verlaine (Television) on guitar and Flea on bass and trumpet. Tucked at the end of the disc is a sublime, nearly seven minute rendition of The Who's "My Generation." Whereas Roger Daltrey's version looked towards the possibilities of the future, Smith's looks back, exuding regret and anger. "My generation. We had dreams... We had dreams, man! And we fucking created George Bush! New generations! Rise up! Rise up! Take to the streets! Make change! The world is yours! Change it! Change it!" Black Lives Matter. Women's March. #MeToo. #Enough. #NeverAgain. This one's for the people in the streets! Change will come.

Jules & the Polar Bears - Good Reason

Jules & The Polar Bears is one of those bands that you want to like, but continue to remain on the fence about even after a decade of failed listens. Recently, I've been sampling bands from the late 70s and early 80s who released fake new wave albums -- major label acts who played middle of the road rock, but disguised it in skinny ties, brightly colored sweaters and catchy, Cars-y keyboard riffs. Jules & The Polar Bears are a good example. Their first record, 1978's Got No Breeding, was compared to Dylan, The Kinks and Springsteen. Personally, I hear a quirky Jackson Browne in the songwriting. Everything sounds bearded and mid-tempo, except Jules Shear, the singer. He gives the band a distinct sound with his "singing at the top of my range" yelp. But even with Shears' interesting squelch, the songs never break out of 70s rock conformity. The guitarist's resemblance to a member of Orleans or Doobie Brothers is telling. Enter 1979's "Fenêt...