The deep freeze of winter has settled in. This morning, I poured a cup of coffee and took in the sight of the sun's lazy ascent through the surrounding woods. The temperature outside read -4º Fahrenheit. Bone chilling and stunningly gorgeous. I sat in silence. Eventually I began to brainstorm music to accompany the scene. As we venture into late December, the sounds of Celtic and Nordic folk music tend to make their way into my daily mix. Wintry landscapes go especially well with Sweden's Väsen, a folk trio that prominently features the nyckelharpa. This song, Björkbergspolskan, highlights the instrument's power. Like a cross between the hurdy gurdy and a fiddle, it creates an ancestral tone that stirs the Viking in my blood. This one's for you Great, Great, Great Grandmother Wiklund.
TootArd are a band from the Golan Heights. Since 1967, this area has been a part of Israel. However, the inhabitants are denied citizenship. Their first album is Laissez Passer . “Laissez passers are special situation papers,” explains singer and guitarist Hasan Nakhleh. “It took us a while to realise the effect. We’re permanent residents in Israel, but not citizens. We have no travel documents. When we travel we need the laissez passer. With no nationality, we’re officially ‘undefined.’” TootArd's sound reflects this undefined status. They combine the desert blues rock of Northern Africa with reggae and various Middle Eastern styles, creating a powerful, grooving sound. If you're a fan of Tuareg groups like Tinariwen , Bombino or Tamikrest , you will instantly love TootArd . Try their tune Musiqa for starters. Head here to sample other tracks from their debut.
In the late 70s, as punk and post-punk bands spiraled towards their new wave destinies, prog dinosaurs stood paralyzed in the shadows. Bands like the Sex Pistols were meteors, igniting a global firestorm that would trigger prog's extinction. The British music press (Melody Maker, Sounds, NME, etc.), once proponents of prog darlings Genesis, Yes and ELP, now bashed any band releasing songs in odd time signatures and singing about aliens and whales. The punk revolution had turned the U.K. music industry and press on its head within a year (1976-1977). For me, this is one of the most interesting times in pop music. Although prog groups saw their audiences rapidly dwindle (Yes audiences had dropped from 20,000 to 3,000 by 1980's Drama tour), many record labels had built fortunes on the works of prog artists and were willing to foot the bill for some interesting transitional experiments. Yes' Drama , ELPs' Works , Genesis' . ..And Then There Were Three... were p...
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