The deep freeze of winter has settled in. This morning, I poured a cup of coffee and took in the sight of the sun's lazy ascent through the surrounding woods. The temperature outside read -4º Fahrenheit. Bone chilling and stunningly gorgeous. I sat in silence. Eventually I began to brainstorm music to accompany the scene. As we venture into late December, the sounds of Celtic and Nordic folk music tend to make their way into my daily mix. Wintry landscapes go especially well with Sweden's Väsen, a folk trio that prominently features the nyckelharpa. This song, Björkbergspolskan, highlights the instrument's power. Like a cross between the hurdy gurdy and a fiddle, it creates an ancestral tone that stirs the Viking in my blood. This one's for you Great, Great, Great Grandmother Wiklund.
In the late 70s, as punk and post-punk bands spiraled towards their new wave destinies, prog dinosaurs stood paralyzed in the shadows. Bands like the Sex Pistols were meteors, igniting a global firestorm that would trigger prog's extinction. The British music press (Melody Maker, Sounds, NME, etc.), once proponents of prog darlings Genesis, Yes and ELP, now bashed any band releasing songs in odd time signatures and singing about aliens and whales. The punk revolution had turned the U.K. music industry and press on its head within a year (1976-1977). For me, this is one of the most interesting times in pop music. Although prog groups saw their audiences rapidly dwindle (Yes audiences had dropped from 20,000 to 3,000 by 1980's Drama tour), many record labels had built fortunes on the works of prog artists and were willing to foot the bill for some interesting transitional experiments. Yes' Drama , ELPs' Works , Genesis' . ..And Then There Were Three... were p...
It's National Women's History Month. If Suzi Quatro was the queen of rock & roll, then Patti Smith was the leader of the female punk insurgency that redefined the genre. The 30th anniversary addition of Horses includes a bonus disc of the album recorded live in 2005 with Tom Verlaine (Television) on guitar and Flea on bass and trumpet. Tucked at the end of the disc is a sublime, nearly seven minute rendition of The Who's "My Generation." Whereas Roger Daltrey's version looked towards the possibilities of the future, Smith's looks back, exuding regret and anger. "My generation. We had dreams... We had dreams, man! And we fucking created George Bush! New generations! Rise up! Rise up! Take to the streets! Make change! The world is yours! Change it! Change it!" Black Lives Matter. Women's March. #MeToo. #Enough. #NeverAgain. This one's for the people in the streets! Change will come.
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